前身(🕕)是皇軍軍港的吳港,戰後成為船塢(🔼)工(gōng )人(rén )的(🕋)生活煉獄(yù )(🛍)。在資本(🤴)家(jiā )(🍥)剝(bāo )削(🔧)和枯(🎹)燥生活(🐉)的雙重煎熬下,躁動的年輕生命,一頭栽進暴(🏇)力漩渦,延擱成長(🕔),終(👑)日在打鬥(dòu )、賭博(🕯)、(👁)酗酒中尋(xún )找暫(zàn )時的麻(má )醉。吉田喜重(🎫)通過工頭(🍮)之眼,對不合理的(de )社會現(xiàn )(😱)實作出(🔊)欲(yù )迎還拒的(de )批判,被視為日本(běn )(🛑)新浪(làng )潮代表作(zuò )之一。香山(㊗)美子飾演(yǎn )純真的(🔝)酒館(🐑)女(nǚ )待(dài )(🙌),同(tóng )(🤸)情工(🙄)人(rén )卻(què )慘被強(💪)姦(⛓),正與負的能量(liàng )(🤷),在大時代中比拼互滲,可有超越對與錯,是(shì )與非的位置?片末火(huǒ )車站送(💔)別(🏉)一(yī )場,在家和社會之間(jiān ),吉田喜(🌹)重(chóng )作出了左翼的選(xuǎn )擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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