前身(🕕)是皇軍(jun1 )軍港的吳港,戰後成(chéng )為(wéi )船塢工人(🃏)的生活(🕟)煉(🕸)獄(🛍)。在(zài )資本家剝削和枯燥生活(🐉)的雙重煎熬(🏴)下,躁動的年(🎾)輕(qīng )生(shēng )命,一頭栽(zāi )進(jìn )暴力漩渦(wō ),延擱(gē )(⚫)成長(zhǎng ),終日在打(🗄)鬥(🛍)、賭博(bó )、酗酒(💆)中尋找暫時的麻醉。吉(jí )(🛺)田喜(🎿)重通(tōng )過工頭之(zhī )眼(yǎn ),對不(bú )合理的社會(🤯)現實作(🤷)出欲迎還拒(jù )的批判,被(🥁)視為日本新浪潮代表作之一(yī )。香山(shān )美(měi )子飾演純真的酒館女待,同情工人卻慘(🙀)被(🙉)強姦,正(⏰)與負的(⛏)能量,在大時代(dài )中比(⛳)拼(pīn )互(💠)滲,可有超越對與(🐀)錯,是(shì )與非(⚾)的(🕯)位置?片末火車站(💹)送別一場(chǎng ),在家和社(shè )會之間(🈸),吉田(🐛)喜重作出了(🥋)左翼的(🌪)選(xuǎn )擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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